top of page

Hello, Dolly! Review

The large ensemble cast miod-choreography with Imelda Staunton leading the way.
The company of Hello, Dolly!
Five gold stars

Imelda Staunton's star power sparkles in this hilariously fresh new production.


First seen in London's West End in 1965 with Mary Martin in the titular role, Hello, Dolly! returns to London for a limited run at the London Palladium. With big boots to fill, Dominic Cooke (Follies) helms the production with Imelda Staunton at his side, proving that the old girl's still got it.


Opening with a singular Dolly Levi, her back to the audience, before a burst from the orchestra, a burst of colour, and a burst of action onstage and the full cast are hustling, bustling, and Staunton is off delivering what can only be described as a tour-de-force performance.


As can be seen with Leslie Joseph (currently starring in Sister Act at London's Dominion Theatre), it's hard not to be wowed by Staunton's energy and stamina as she leads the cast through two and a half hours of choreography, belting and slapstick humour. What Staunton achieves, the emotional depth that she brings to Levi, and the loveable verve that she brings to the role is truly transformative and astounding.


But it's not just Staunton who shines in this production; she's joined by a whole host of other talent including the hilarious Andy Nyman (Fiddler on the Roof, Abigail's Party) who brings a true heart to Horace Vandergelder, Jenna Russell (Flowers for Mrs Harris, Guys and Dolls) in a touching portrayal of Irene Molloy, and Harry Hepple (Hamilton) and Emily Lane (Frozen) who both shine as Cornelius Hackl and Minnie Fay respectively.


With such talent to work with, Cooke and choreographer Bill Deamer don't hold back in delivering a detailed delight. Every comedy beat was hit perfectly, the choreography was sharp and intense until it was soft and sensual until it was back to being precisely hilarious again. The pair work together hand in hand, along with Musical Supervisor Nick Skilbeck and the whole team of creatives, and it shows in an effortless triumph.


What makes Hello, Dolly! work so well? The care and attention into ensuring that every cog in this musical machine works in tandem with the next, delivery a perfect night of musical theatre.


Hello, Dolly! runs at the London Palladium until September 14th and has opened to many a five star review. Tickets are available here.

bottom of page